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Stolen Rhythm
Cheryl Frances-Hoad

Rambert Orchestra

Stolen Rhythm

Price: € 19.95 13.97
Format: CD
Label: Champs Hill
UPC: 5060212591241
Catnr: CHRCD 119
Release date: 08 September 2017
old €19.95 new € 13.97
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19.95 13.97
old €19.95 new € 13.97
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Label
Champs Hill
UPC
5060212591241
Catalogue number
CHRCD 119
Release date
08 September 2017
Album
Artist(s)
Composer(s)
EN

About the album

Admired for her originality and fluency, Cheryl Frances-Hoad has been composing to commission since she was fifteen. Classical tradition (she trained as a cellist and pianist at the Yehudi Menuhin School before going up to Cambridge, gaining a Double First, and then King's College, London), along with contemporary influences including literature, painting and dance, have contributed to a creative presence provocatively her own. 'Intricate in argument, sometimes impassioned, sometimes mercurial, always compelling in its authority' (Robin Holloway, The Spectator), weaving 'an astonishing tapestry of vocal and emotional colours' drenched 'in dramatic expression of the most ravishing intensity' (Matthew Wright, The Arts Desk), her output - widely premiered, broadcast and commercially recorded, reaching audiences from the Proms to school workshops - addresses all genres from opera, ballet and concerto to song, chamber and solo music.

Artist(s)

Rambert Orchestra

The Rambert Orchestra boasts some of London’s finest ensemble players, who tour the UK to accompany all of Rambert’s performances in the large-scale regional theatres. Rambert Orchestra grew out of Rambert’s former associate orchestra, London Musici, which first appeared with Rambert, under Mark Stephenson, in 1994. Rambert is known for its wide-ranging dance repertoire. Rambert seeks to promote a variety of new young choreographers, as well as bring established international choreographers to the UK, and mine the extensive archive for older classics. Musically, the repertoire is just as diverse, and Rambert Orchestra readily turns its hand to a huge range of styles. In recent seasons the Rambert Music Fellows have provided a number of significant new works: Gavin Higgins’ What Wild...
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The Rambert Orchestra boasts some of London’s finest ensemble players, who tour the UK to accompany all of Rambert’s performances in the large-scale regional theatres. Rambert Orchestra grew out of Rambert’s former associate orchestra, London Musici, which first appeared with Rambert, under Mark Stephenson, in 1994.

Rambert is known for its wide-ranging dance repertoire. Rambert seeks to promote a variety of new young choreographers, as well as bring established international choreographers to the UK, and mine the extensive archive for older classics. Musically, the repertoire is just as diverse, and Rambert Orchestra readily turns its hand to a huge range of styles. In recent seasons the Rambert Music Fellows have provided a number of significant new works: Gavin Higgins’ What Wild Ecstasy was commissioned for New Music 2012 as a response to Debussy’s Prélude à l’après-midi (played in a new orchestration by Mark Bowden). Cheryl Frances-Hoad’s Quark Dances received dozens of performances in 2014 and 2015, as part of Mark Baldwin’s ballet The Strange Charm of Mother Nature. In recent years Rambert Orchestra has also received critical praise for performances of Bach, Stravinsky, Schoenberg, Mahler, Wagner, Schubert and Cole Porter.

David Cohen, Paul Hoskins and Rambert Orchestra gave the premiere of Katharsis at the Spitalfields Festival in June 2014.


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Paul Hoskins (conductor)

David Cohen (cello)

Composer(s)

Cheryl Frances-Hoad

Admired for her originality, fluency and professionalism, Cheryl Frances-Hoad has been composing to commission since she was fifteen. Classical tradition (she trained as a cellist and pianist at the Menuhin School before going on to Cambridge and King’s College, London) along with diverse contemporary inspirations including literature, painting and dance, have contributed to a creative presence provocatively her own. 'Intricate in argument, sometimes impassioned, sometimes mercurial, always compelling in its authority' (Robin Holloway, The Spectator), her output – widely premièred, broadcast and commercially recorded, reaching audiences from the Proms to outreach workshops – addresses all genres from opera, ballet and concerto to song, chamber and solo music.  Her works include From the Beginning of the World, a setting of Tycho Brahe's remarkably...
more
Admired for her originality, fluency and professionalism, Cheryl Frances-Hoad has been composing to commission since she was fifteen. Classical tradition (she trained as a cellist and pianist at the Menuhin School before going on to Cambridge and King’s College, London) along with diverse contemporary inspirations including literature, painting and dance, have contributed to a creative presence provocatively her own.
"Intricate in argument, sometimes impassioned, sometimes mercurial, always compelling in its authority" (Robin Holloway, The Spectator), her output – widely premièred, broadcast and commercially recorded, reaching audiences from the Proms to outreach workshops – addresses all genres from opera, ballet and concerto to song, chamber and solo music. Her works include From the Beginning of the World, a setting of Tycho Brahe's remarkably prescient thesis on the Great Comet of 1577 (BBC Proms, 2015), Pay Close Attention, a homage to electronic music gods The Prodigy, The Whole Earth Dances, a quintet influenced by the local landscape and the poetry of Ted Hughes (Spitalfields Festival, 2016) and Game On, a duet for piano and Commodore 64 inspired by Game Theory and the crimes of bankers (NonClassical at the Dalston Victoria, 2016).

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Press

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01.
Katharsis: I. Prelude
04:45
(Cheryl Frances-Hoad) David Cohen, Nicholas Daniel, Rambert Orchestra
02.
Katharsis: II. Moto perpetuo
01:50
(Cheryl Frances-Hoad) David Cohen, Nicholas Daniel, Rambert Orchestra
03.
Katharsis: III. Minuet & Trio
04:47
(Cheryl Frances-Hoad) David Cohen, Nicholas Daniel, Rambert Orchestra
04.
Katharsis: IV. Sarabande
04:39
(Cheryl Frances-Hoad) David Cohen, Nicholas Daniel, Rambert Orchestra
05.
Katharsis: V. Gavotte
04:39
(Cheryl Frances-Hoad) David Cohen, Nicholas Daniel, Rambert Orchestra
06.
Katharsis: VI. Canto
03:49
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
07.
The Forgiveness Machine
12:20
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra, Phoenix Piano Trio
08.
Quark Dances: I. Allegretto
02:27
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
09.
Quark Dances: II. Scherzando
02:08
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
10.
Quark Dances: III. Andante
01:20
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
11.
Quark Dances: IV. Adagio con fascino
03:34
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
12.
Quark Dances: V. Allegretto
03:00
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
13.
Homages: I. Contemplation
02:15
(Cheryl Frances-Hoad) David Cohen, Nicholas Daniel, Rambert Orchestra
14.
Homages: II. In the Dew
02:20
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
15.
Homages: III. Lullaby
03:18
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
16.
Homages: IV. Un canard hors de l'eau
02:13
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
17.
Homages: V. Song Without Words
03:36
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
18.
Homages: VI. Stolen Rhythm
01:56
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
19.
Homages: VII. Bar(tik)tok
01:29
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
20.
A Refusal to Mourn: I. Recitative
04:11
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
21.
A Refusal to Mourn: II. Fugato
04:26
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
22.
A Refusal to Mourn: III. Chorale
04:01
(Cheryl Frances-Hoad) Nicholas Daniel, David Cohen, Rambert Orchestra
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